Dr. Leon James 197x

                                                     Seminar
                                    Understanding Discourse:
                 From Ethnosemantics to Transactional Engineering
                                         Dr. Leon James

     A systematic exploration of the four movements of discourse:  (1) Ethnosemantic Outlines (the reconstruction of taxonomic relationships in lexical and morphoshonemic displays in ordinary talk);  (2) Topic Focus (the description of register modality mechanisms underlying the structure of topicalization in conversation and writing);  (3) Display Repetoire (a characterization of standard cultural units of behavior and a definition of context);   (4) Constitutive Exchanges  (the functional analysis of discourse as a system of exchanges of transactional moves; the systematic analysis of transcripts of taped conversation;  the description of the structure of discourse, narratives, story-telling, and the instructional register).

 

                                               BASIC SCHEMA

Level I: The Five Movements of Discourse

Level II: The Basic Formal Components

1. Ethnosemantic Outlines
2. Topic Focus
3. Display Repertoire
4. Constitutive Exchanges
5. Transactional Engineering

Level III: Clarifying Conceptions

Level IV: Explanatory Outlines (Understanding and Prediction)

LEVEL I. THE FIVE MOVEMENTS OF DISCOURSE


PREAMBLE: Understanding discourse involves its description in terms of the

following five movements:

1. Describing the taxonomic structure of ethnosemantic outlines;

2. Specifying the derivation of topic focus;

3. Analyzing the functional properties of display repertoire;

4. Exlicating the system of constitutive exchanges;

5. Presenting the basic principles of transactional engineering

DEFINITIONS:

Understanding Discourse refers to the systematic description of the processes and mechanisms involved in the production of talk and its derivative uses in writing, teaching, psychotherapy, and everyday mythology

Ethnosemantic Outlines characterize a cultural group; define the standard reality; specify reciprocally ratifiable recognitions.

Topic Focus identifies boundary markers by contracting the possible set of ethnosemantic features to a particular set; specifies the salient or appropriate features of a setting.

Display Repertoire relates the participant to topic focus; characterizes the individual participant; defines "personal."

Constitutive Exchanges characterize the dealings of participants; relate participants to one another.

Transactional Engineering is the scientific application of understanding discourse in the practical uses of talk, forms of written discourse, institutional mechanisms of encuturation, training and instruction, therapy, counselling, and living everyday mythology.


LEVEL II: THE BASIC FORMAL COMPONENT

1. Ethnosemantic Outlines

A. Understanding the semantics of culture
B. The construction of an ethnosemantic thesaurus
C. The cultural group
D. Practicality: A socio-functional mechanism
E. Standard and personal secrets
F. The reconstruction of the standard reality

2. Topic Focus

A. Topic as a process of contraction
B. Sanctioned topical outlines
C. Register Modality: specialized topic focusing mechanisms
D. Understanding: individual characterizations in topic focusing

3. Display Repertoire

A. Mechanisms of alignment
B. Displays signal alignments
C. Deictic mechanisms
D. Sequencing of displays
E. Alignments imply identity
F. Identity and record create the participant

4. Constitutive Exchanges

A. The nature and character of constitutive exchanges
B. The Basic Principle: alternating turns of moves
C. Types of Moves
D. Types of Assertions
E. Topicalization dynamics
F. Discourse structure
G. Common and subtle levels of exchange

5. Transactional Engineering

A. The transactional system of claims
B. The Standard Register
C. The Radicalist Register
D. Role Enactments
E. Managing "unconscious" exchanges
F. TE in education
G. TE in psychotherapy
H. TE in everyday mythology

LEVEL III: CLARIFYING CONCEPTIONS

1.A.   (i) Discovering socio-functional morphophonemic relationships
          (ii) The system of affixing in English
          (iii) Re-cognition: The identification of standards
          (iv) The nominalizing and predicating function of lexical units


1.B.   (i) Hierarchical embeddings
          (ii) Taxonomic embeddings
         (iii) Roget's Thesaurus
         (iv) Deriving ethnosemantic clusters
          (v) Psychomechanics and Psychosystematics



1.C.  (i) The function of reciprocity
         (ii) The function of ratification
         (iii) The function of exchange
         (iv) The mechanics of exchange
         (v) relationship
         (vi) identity
         (vii) record
         (viii) participant
         (ix) contrastive displays


1.D.  (i) the function of function
         (ii) meaning is a formula
         (iii) reference is an identification
         (iv) the planetary logic: common sense
         (v) uncommon sense: separate realities
         (vi) the logic of logic
         (vii) the logic of the logic of logic


1.E.  (i) things we all know but never talk about
         (ii) things we all know but can never talk about
         (iii) things we don't know
         (iv) things we can't know
         (v) things we know but don't know we know
         (vi) what happens when secrets are mentioned


1.F.   (i) genesis: making sense
         (ii) here/now programming
         (iii) knowledge and experience
         (iv) organized knowledge
         (v) existential metaphysics
         (vi) ethnomethodolofical functionalism
         (vii) oriented to features


2.A.   (i) practical implications                    (vii) relationship identity, contrast
          (ii) personal implications                   (viii) the dialectic movement
          (iii) forced choice nodes                    (ix) multidimensional space
          (iv) coherent clusters                          (x) pragmatics as socio-functionalism
          (v) information selection                     (xi) individual talent and genius
          (vi) functional markers


2.B.   (i) the school curriculum
          (ii) the mass media
          (iii) historical reconstruction
          (iv) identity status


2.C.   (i) selectional feature mechanisms                        (v) identification
          (ii) positioning, alignment, perspective, focus     (vi) move connectors
          (iii) professionalism                                                 (vii) move directors
          (iv) prejudice                                                            (viii) algorythmic creativity


2.D.   (i) the psychomechanics of talent
          (ii) the psychomechanics of genius
          (iii) life theme, role enactment, individual destiny
          (iv) personal and universal
          (v) individual reconstruction of reality



3.A.    (i) signalling systems
           (ii) exhaustive categorization
           (iii) direct claims
           (iv) alignment by implication (v) joint ratified procedural rules
           (vi) ambiguity and equivocation


3.B.    (i) significance, meaning, reference
           (ii) dictionary, encyclopedia Larousse, custom
           (iii) the unit of behavior: What's Going On
           (iv) Plus ca change, plus c'est la meme chose
           (v) the enactment of mythology
           (vi) identity signals


3.C.    (i) performative instruction                                      (xiii) the disintegration of self-identity
           (ii) self-analytic objectivity                                       (xiv) charisma, prophet, being a sucker
           (iii) personally relevant                                             (xv) the ravages of pre-occupation
           (iv) spontaneous, automatic, programmed          (xvi) environmental hypnosis
           (v) orienting to: noticing features                            (xvii) schedules and rounds
           (vi) pointing to: identifying reference                      (xviii) disengagement
           (vii) the dialectic movement between
                  particular and general     
           (viii) legitimization and ratification                          (xix) dramatization and de
           (ix) trust, love, growth, well being dramatization   (xx) subtle mechanisms
           (x) reciprocity: why two are better than one           (xxi) the unavoidability of choice
          (xi) the dyadic register                                               (xxii) interstitial ellipticism
          (xii) going beyond culture                                          (xxiii) frozen time


3.D.    (i) initial, medial, and closing positions                    (vi) harmonious and soft
           (ii) episodal boundary markers                                 (vii) overwhelming and poky
           (iii) role skits                                                               (viii) profundity and depth of composition
           (iv) smooth and cool                                                    (ix) multidimenisional programming
            (v) jerky and clumsy


3.E.     (i) impression formation                                             (v) maintenance mechanisms
            (ii) the development of expectancy                           (vi) inclusion, exclusion
            (iii) reciprocal arrangements                                     (vii) unassailable claim
            (iv) contractual obligations                                        (viii) the biological individual


3.F.      (i) personal record                                                     (xi) the paradox of chronology
            (ii) public record                                                         (xii) the delusion of direction
            (iii) identity markers                                                   (xiii) the relativity of identity
            (iv) record keeping                                                    (xiv) the problematics of individual existence
            (v) the unavoidability of participation                       (xv) the limitless boundary
            (vi) biography and diary                                            (xvi) the endless embedding
            (vii) auto-biography and actuality                             (xvii) the dyadic alternation
            (viii) authenticating a record                                      (xviii) socio-political categorizations
            (ix) secret records                                                       (xix) socio-functional identifications
            (x) the developmental paradox                                  (xx) individual stylizations

4.A.     (i) regulative systems                                                 (viii) the creation of authority
            (ii)natural vs. artificial                                                 (ix) institutional roles
            (iii) Let There Be Light!                                              (x)   society and sub-groups
            (iv) Alice in Wonderland                                             (xi) economics
            (v) sanctioned and pre-established                          (xii) politics
            (vi) the function of ritual                                               (xiii) spirituality
            (vii) enculturation, assimilation, membership

4.B.     (i) the talking contract                                                  (v) personalizing vs. impersonalizing
            (ii) turn taking organization                                         (vi) reactivity, amplitude, kurtosis
            (iii) the exchange of moves                                        (vii) closeness of fit
            (iv) role type cast

4.C.    (i) initiating something                                                 (viii) informing
           (ii) replying                                                                    (ix) justifying
           (iii) legitimizing signals                                                (x) explaining
           (iv) ratifying moves                                                       (xi) joking
           (v) dramatizing                                                              (xii) praying
           (vi) story telling                                                              (xiii) expression
           (vii) reporting                                                                 (xiv) remedying

4.D.   (i) categorizing                                                              (viii) intellectualizing
          (ii) identifying                                                                 (ix) actualizing
          (iii) defining                                                                    (x) the first pyramid (i+ii+iii)
          (iv) describing                                                                (xi) the second pyramid (iv+v+vi)
          (v) subjectifying                                                              (xii) the spiritual dialectic (viii+ix)
          (vi) objectifying                                                               (xiii) radicalism
          (vii) particularizing

4.E.   (i) adjacency pairs                                                        (vi) alluding to something
          (ii) setting up topic (identifying)                                   (vii) implying something
          (iii) commenting                                                            (viii) presuming something
          (iv) mentioning something                                            (ix) types of replies
          (v) referring to something                                              (x) move linkages

 

4.F.  (i) the modalities of diaplay                                             (vi) programming spontaneous composition
         (ii) paraphrasing                                                               (vii) the experiential modality
         (iii) specifying contextual features                                  (viii) genre and register
         (iv) the elliptical structures of paragraphs                      (ix) discourse thinking
         (v) the unit of writing                                                          (x) desocs programming

 

4.G.  (i) parameters of exchange modes                                (x) score keeping
         (ii) personality and role type                                            (xi) unconscious and superstitious parameters
         (iii) setting features on the daily round                           (xii) reciprocal reconstructions
         (iv) acting and role enactment                                         (xiii) elevating exchanges
         (v)  the paradox of individual growth                               (xiv) the dyadic self
         (vi) covert conversations                                                  (xv) monocromatic exchanges
         (vii) secret topics                                                               (xvi) the dimensionalityh of spiritual existence
         (viii) intermittent conversations                                        (xvii) the dixcovery of Sudden Memory and the           (ix) keeping track                                                                       Secrets of Actuality

 

5.A. (i) the minimal transactional exchange                             (vi) the unavoidability of claiming
        (ii) the balancing function of remedy                                 (vii) the empirical description of claim management
        (iii) the utilitarianism of deception                                     (viii) role enactment and claims
        (iv) the actuality of claims                                                   (ix)   group identity and claim taxonomy

 

5.B. (i) SOFW: Standard Ordinary Face Work Register
        (ii) the structure of speech acts
        (iii) ritual and the function of topic
        (iv) Legitimizing Transactions
        (v) Victimizing Transactions
        (vi) the specialized standard registers
        (vii) the school language
        (viii) relationship dynamics
        (ix) the psychomechanics of feeling
        (x) institutional pragmatics and socio-functionalism
        (xi) the reconstruction of history
        (xii) accounting practices
        (xiii) Disagreeing Transactions
        (xiv) talking without talking to each other

 

5.C. (i) radicalist assertions                                             (ix) the transcendance of resolution
        (ii) the reaffirmation of contradictions                      (x) the enactment of myth
        (iii) the metaphysics of nothingness                        (xi) the reconstruction of resolution
        (iv) having a gesture with actuality                           (xii) freedom and adequacy
        (v) the etiology of puzzling                                         (xiii) the routine perfection
        (vi) the functions of striving                                        (xiv) There is Only Understanding
        (vii) radicalist objectivism                                          (xv) You Have Already Understood
       (viii) the extinction of questions

 

5.D. (i) The Timing Principle                                           (viii) expanding time
        (ii) being engaged                                                    (ix) A ls recherche du temps perdu...
        (iii) dis-engaging                                                       (x) Indulgences and regretful orgasms
        (iv) accession to Master Programmer                    (xi) Principles of Navigation in the Biosphere
        (v) life themes                                                            (xii) personal
        (vi) Personal History: The Centrality Hypothesis  (xiii) authenticating a record
        (vii) contracting time

 

5.E. (i) Principles of Self-Programming                          (ix) contacting another's selves
        (ii) the non-consciousness of automatic behavior (x) reciprocal personal contact
        (iii) child rearing programs                                        (xi) reciprocal impersonal contact
        (iv) enculturation programs                                        (xii) non-reciprocal contact
        (v) the function of record keeping                             (xiii) being possessed
        (vi) the surrealist autobiography                                (xiv) monoplastic contact (SOFW)
        (vii) reintegrating personal history                             (xv) bioplastic contact (Radicalist)
        (viii) contacting the selves

 

5.F. (i) teaching as telling                                                  (vii) SAOROGAT for education
        (ii) learning as listening                                              (viii) DESOCS for comprehension
        (iii) the learner role                                                      (ix) SOFWR for lubricity
        (iv) the teacher role                                                     (x) the RRR's for adequacy
        (v) the teaching contract                                             (xi) stoned thinking
        (vi) the teacher's paradox                                           (xii) beyond sloganism
                                                                                              (xiii) living education

 

5.G. (i) people programming service stations
        (ii) role derived ideology
        (iii) the delusional paranoria of voluntariansim
        (iv) the inauthentic exchange of client and therapist
        (v) authentic relationship
        (vi) avoiding relationship
        (vii) faith and the strategy of surrender
        (viii) on being alone
        (ix) understanding oneself

 

5.H. (i) The Sucker                                                                 (vii) daydreams and fantasies
        (ii) The Con Artist                                                           (viii) mythical themes
        (iii) The Prophet                                                              (ix) performative transactions
        (iv) The Great Imposter                                                   (x) enactology
        (v) Clowning                                                                     (xi) Hunting for Secrets
        (vi) Being-A-Smart-Ass                                                  (xii) children's stories

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